Wednesday, February 27, 2013

A Note From the Editor: The Legend 2.0

Many years ago now, when people were still managing to survive without the benefits of Facebook, I was fortunate enough to become editor of an esoteric blog that existed only somewhere in the deepest shadows of Myspace. It was a canvas upon which the mysterious, and often dark, journey of Mr. Wilde and Mr. Falcon could be purged. I can vividly remember those savage days, all those years ago, as if they were still happening in some boarded up closet of my unconscious. Some days I want to remember, and some days I don't. It was a wild ride, and it has taken me several years of careful, and intense therapy sessions to figure out even some of what happened.

It wasn't always easy, even at the time, to maintain the kind of concentration required in my profession. It was my responsibility to sort through the many words that often flowed, and sometimes spewed, from the mouths of those principle writers, and organize them into something coherent, and hopefully meaningful. Looking back at it all, I do have many fond memories. I have few regrets, although we were much different people then. We learned a lot. And that is all a person can hope for in this life: to learn from one's mistakes, and move forward in a way that is increasingly legendary.

I sometimes go back in my mind, and recall those Dystopian days, and I am always assured that we did create something that was deep, and meaningful if only to us. It certainly all seemed like a good idea at the time. And it almost went on forever. But some flames are too hot, and are doomed by sucking all the oxygen out of the room. Such was our fate. Things got too dark, too weird, and were at the point of becoming ugly. We, unfortunately, had to fire Mr. Falcon for excessive binge drinking, and increasingly violent attitudes toward God. What followed after that was the great and beautiful tragedy that changed everything forever.

Steven H. Falcon, Esq. did not go down quietly. He broke a lot of windows on his way out, and let a lot of monsters in. We never fully appreciated the burden he had carried in his single-handed efforts to keep the vultures at bay, and once we let him go we realized that things had only begun to get weird. Nothing made sense any more. The hounds of Hell were baying at the gates, and we had to burn everything before narrowly escaping by the rooftops in the black of a Tuesday night in the pouring rain. Then Mr. Wilde disappeared for a while.

He told me only that he was going to Iceland to remember what was forgotten. When he came back he seemed a different color. Rumor has it that he bludgeoned Mr. Falcon to death with a volcanic rock, and buried him at the foot of Helgafell, or some other stony, barren fire pit. I try not to speculate, and he has never spoken of that trip with me. That was all a very long time ago.

So, now that things have calmed, and there has been ample time for quiet reflection, and meditation, he has asked me to rejoin him, and be his voice of reason once more. I have been following this blog carefully from a distance, ever since it's creation. I have sometimes seen some faint premonitions that it could be something better than the old way. Writing is a tricky business, and is particularly difficult when one suddenly finds himself to be a different person than he was before. So We have had many discussions about it, and I am convinced that we can, indeed, get back some of what we once had. But this time we will open up our voice and sing the old songs without all the ugliness that became our hallmark toward the end of that fearful odyssey of the soul.

We are older now, and wiser. We still have things to say, maybe more than ever. We have seen, and still see things that are hard to describe without resorting to course language. But Mr. Wilde has expressed to me a new found desire to express himself in a way that is, if not positive, at least less abrasive. I believe this can be done, and although Mr. Falcon would certainly not approve, we wish to do this in his memory.

- - - Roger Dwellings, editor in chief







Vita Ipsa Loquitur
Steven H. Falcon, esq.

May he remain wherever he is, and burn eternally.

*Photo of Mr. Falcon by Jake Penrose

Tuesday, December 27, 2011

The Girl With The Dragon Tattoo


"Hold still. I've never done this before, and there will be blood!"

What is it that always draws me into the darkness? Such questions as this are what keeps me up on nights like these.

I just saw this new movie. I have not read any of the novels, nor have I seen the Swedish version of this film. But ever since I saw the trailer for this version, I knew that resistance would be futile. I must go down this road.

The film as a whole is not as unusual as I thought. I found the solution to the central mystery entirely predictable, and I've seen films that were far more noir than this one. However, the thing that sets the film apart, and has ensnared my mind in unusual layers of dark and morbid fantasy is the character of Lisbeth Salander, as played by Rooney Mara. She is a force that can not be contained, even by this film. It seems she must have a life all her own that reaches far beyond this, and I must know all about it. It took only a few minutes of this movie and I knew that I needed to get to know her better, and then maybe kill some people with her.

Terrible things happen to her in this film, but then she comes back with some terrible things of her own. But when she does the terrible things, we understand why. We revel in it. I haven't felt such savage rage and uncontrollable blood-lust since....hell, I don't even know that I ever have.

I better go take a cold shower right now and sing some hymns.

Saturday, October 22, 2011

Saturdays With Sergio

It sometimes seems that the older one gets the more life begins to lose its flavor. Nothing is ever as good as it used to be any more. You can watch the movies you once loved, but they just don't have the magic any more. But the true masterpieces - like fine wine - only get better with age.

The first time I saw The Good, The Bad, and The Ugly I was probably 13 or 14 years old. I saw it on the tv on a Saturday afternoon when I had nothing better to do, and it kind of looked like a piece of crap, but somehow it was awesome in spite of itself.

I definitely didn't have the right kind of eyes to see it properly at the time. My first impression was that it was real ugly. It is a strange American Western filmed in bleak, nondescript locations in Italy. The photography looked like it was peed on and left out in the sun to dry. Many of the actors in the film seem to be inexperienced locals. The dubbing sometimes doesn't line up with the picture. I'm pretty sure a lot of the extras aren't even saying the same lines, or even in the same language as the crude sounds coming from the speakers. Even the instruments on the soundtrack seem to be out of tune, or maybe broken.

The film begins for a good 15 minutes without any dialogue, and there doesn't seem to be any significant plot until a good hour has gone by. It's just one brilliant scene after another. But where is it going? I had no idea until it was all over.

All in all, the film seemed like some kind of hot mess. It was refreshing to a 13 year old who was tired of all the glossy hollywood westerns. It seemed like something that was thrown together without the refinements of movie executives, and test screenings, and focus groups, etc. I liked it.

But the older I get, and the more films I have seen, the more I can appreciate the savage genius of this film. I don't think anything about it is accidental. I look at the same dusty landscapes, in that same nasty, brown light and see something that is far more beautiful than anything that ever happened in Monument Valley. I now see that all of the things that look like flaws are just what makes it special. The ugliness, and the decay, and the out of tune guitars all lend it a sort of rare credibility in the world of westerns. The more I know about photography, the more I know that it must have been a bitch to make this movie look the way it does.

The actors are all perfectly cast. Clint Eastwood (who no one knew before) plays a particularly complex anti-hero who you want to root for even though you aren't quite sure what he stands for. Eli Wallach plays an even stranger anti-anti-hero that can always make me laugh and cry at the same time, even when I don't know why. And most of all, Lee Van Cleef plays one of the most infuriating villains I can recall. It is truly beautiful, and quite disturbing how much Van Cleef seems to get off on this character.

The story is sort of a Western Oddysey. Fate puts these three characters on a mythical quest for gold, but they are constantly beset upon by strange circumstances along the way. They confront the most unusual obstacles. For instance, there is a large scale civil war battle, commanded by a drunken captain, that prevents them from crossing a river until they figure out how to deal with it. It's probably the largest and most expensive scene in the film. I can't picture any other western that goes to the lengths of creating such an epic scene that doesn't really have a whole lot to do with the rest of the plot. The filmmakers also, apparently, built a cemetery that seems to stretch as far as the eye can see in every direction just for one scene in the film. (I googled it. The cemetery is not real.)

The film is shot and cut in a way that would seem to challenge regular audiences, and yet it is somehow the 4th most popular movie of all time according to IMDB.com with an average user rating of 8.9 stars out of ten with 206,317 votes.

So today, I decided to watch it whilst cleaning the house, and although I have seen it at least 25 times, I certainly did not regret it. A true masterpiece the likes of which was never seen before, has not been seen since, and will not be seen again.

I just had to share that. And now I leave you with my list of top 7 one-of-a-kind movies that could never be duplicated in spite of all efforts to the contrary. These are the movies that reach a sort of intangible perfection when everything just seemed to come together in a way that can't be explained by simple luck.

1. Apocalypse Now - This film is so completely brazen in its artistic vision that no one in modern hollywood would even be allowed to attempt something so completely ridiculous. Not to mention that it would probably be the most expensive movie ever made if it was subjected to modern economic realities. I look at this film and am convinced that Francis Ford Coppola created, and fought his very own war just so that he could film it.

2. Raiders of the Lost Ark - The very people who made this film have attempted to recreate it 3 times since. All three of those sequels are a dismal failure compared to the original.

3. The Good, The Bad, and the Ugly - 'nuff said.

4. Jaws - I can't explain it. Either you know what I mean, or you never will. It is what it is.

5. Alien - If you ever have the chance to see this in the theater, you will be terrified. Thousands of horror thrillers have been made in its image since, and they all suck, including it's own sequels. It's the real deal.

6. Solaris (1972) - Few have the patience to deal with this movie, but if you can take it you will be rewarded. A science fiction masterpiece that goes all the way.

7. Amelie - A chick flick that even the most hardened dude can get behind. If it doesn't make you cry joyful tears than you have no soul.

Friday, September 23, 2011

Drive

"I don't have wheels on my car. That's something you should know about me." - The Driver

I haven't posted much about movies lately, or really about anything at all, because we seem to be in a seven year drought of creativity. I feel like there has been a general mood of non-excitement all around me. The vibe is decidedly mellow. (Although I did have a really great first anniversary last weekend. I just don't feel like getting personal in my blogging these days. Let it suffice to say that Rachel is great at making my life interesting, but that's about it for the excitement in my life in these dark times.)

I always get in this mood at the end of summer where I want to fight against the slowing tide. I start to feel guilty about all the things I was going to do, but never did. But lately I have been feeling like I should just go with it. I should take advantage of the rare time I get to do nothing at all. So today, when my Manager called and told me that I was cut for today, I told myself that it was okay to just sleep in. I gave myself no expectations for this free day.

A couple of drowsy blinks after that and I found that it was 1:30 pm. I woke up. I took the dogs outside to poop. I yawned several times and scratched an itch on the back of my left thigh. I walked around the house and looked at myself in the mirror. I looked at the food in my fridge for a considerable amount of time. I did not eat any of it. Then I decided I should do something I used to do all the time, but almost never do anymore: go to a random movie in the middle of the afternoon with all the other daytime perverts.

First I was going to go see The Killer Elite, but soon realized that it was not actually showing yet. So then I thought I might go see Straw Dogs just out of morbid curiosity. I can't quite grasp why that remake has happened. But even I couldn't will myself to confront that. Not on a Thursday anyhow. So I looked at the movie app on my phone and decided I would go see Drive.

It must have been about 2 minutes into the movie when I started to cry tears of regret for all the terrible movies I have had to sift through in recent years to find this shining pearl of rare, and unmistakable beauty. That may sound like a quick judgment to you, but trust me. When it's right, it's right. When you have dedicated as many years of your life as I have to sitting in sweaty movie theaters with all the wrong people, watching terrible things and trying to understand what it all means, there is an instant recognition of greatness. It just has a certain smell to it.

A great movie is something magical. It is much more than the sum of it's parts. If you don't have that magic it can't be faked. It doesn't matter how many Oscar winning actors are in it. It doesn't matter how big the budget was. You can make a $300 Million dollar monstrosity of a film with Sigourney Weaver, Michelle Rodriguez, and a bunch of three-dimensional blue people who have sex with their pony tails, and it will still put me to sleep in less than 40 seconds.

I have started to believe that I am the problem. Maybe I've seen too much and just don't like movies any more. Maybe nothing impresses me any more. I have been accused of movie snobbery many times. Many times, indeed. But than a movie like Drive comes along and proves to me that the magic is still there after all.

Drive is about a guy who drives cars. He works in a garage by day, fixing up cars. Sometimes he does stunt driving for B-movies. And by night, he is a driver for hire. He doesn't ask questions. You tell him a time and place, and he will be there. If you watch the previews you might think it's kind of like The Transporter. But it's not.

It stars Ryan Gosling, who is quickly becoming the younger Hollywood actor with the most interesting career. I don't think Drive will make a lot of money. Even though Ryan Gosling gives one of the best performances I have seen in a long time, I can almost promise you he will not win any awards for it. And yet, for some reason, he decided to do this film anyway. His career is definitely on the rise. He didn't have to do a weird art film like this, but he did. This is the sort of movie that would usually have a mediocre, unknown actor in the lead. One might argue that it doesn't need someone with the talent of Ryan Gosling. But I disagree. It ain't easy to play a guy who says almost nothing but still keep the entire audience at the edge of their seat for 100 minutes.

So I give a special thanks to Mr. Gosling for coming down from his comfy romantic comedy perch to do something dangerous. I shouldn't be surprised though. This is, after all, the same guy who starred in a movie about a guy who falls in love, and has an innocent, platonic relationship with a sex doll.

Besides Gosling, this movie also gives us a really disturbing, and not even remotely funny performance by my favorite comedian, Albert Brooks. I was very disturbed, especially because it was Albert Brooks. What is this world coming to? I'm sitting in a darkened room watching Albert Brooks do scary things now. Nothing can be trusted. Nothing is safe any more.

I'm not sure what else, besides the acting, to praise in this movie. I'm not good at explaining why a certain scene is good at making me feel a certain way. I just know how it makes me feel. This movie made me feel all kinds of wonderful things that I haven't felt at the movies in a long, long time. It took me for a ride. I liked it. With that said, I don't really recommend this movie. If the preview made you want to watch it, you should probably rent The Transporter instead. This movie is not what it seems. It's way better than that, and you probably won't like it. Maybe it is my snobbery talking, but I just know that it takes the right kind of eyes to appreciate art of this magnitude. Too many times have I tried to share these things with people only to have them tell me that they hated it, and I must be screwed up in the head to think it's a good movie. But I know what I saw. I can't wait to see it again.



P.S. Movie geek trivia: The "special thanks" section in this film's end credits thanks Alejandro Jodorowsky. I don't expect anyone who reads this to know who that is. But take my word for it. It's sufficiently weird that it has had me thinking about it all day long.

P.P.S. I think I have a title now for the mysterious photo series I have been thinking of doing all year, and which I have spoken almost nothing about to anyone. I haven't even written it down, but it's definitely building. I think I will call it 'Survivors'. And there will be blood. Oh, yes! There will be. My mind is sometimes a scary place.

Monday, August 8, 2011

I Need Some New Inspiration

I haven't been doing much photography lately. I have some strange photos that need to be released from my mind, but I'm not quite ready yet. So last night I went and photographed some silly kids at the Zombie walk in SLC. Along with trying to get some silly pictures, I was also using this weirdness to reflect on other dark themes that I am thinking about lately. It was good times, and reminds me that we all could use a bit more weirdness in our lives. Or at least I could use some anyway. I'm not sure what it is that draws me to these kind of things. I have an unnatural fascination with the end of the world. And although Zombies are mostly pretty lame, they do symbolize the ongoing de-evolution of humanity rather well.

Of course, photographing zombies is no easy task. People pretending to be dead looks nothing at all like actual dead people. It ends up being cheesy, which isn't necessarily bad. Zombies are, after all, somewhere near smoked gouda on the cheese scale. Therefore, I threw myself into this crowd and had a good time trying to capture some authentic zombie moments.

I posted some on my photo blog, but I felt I had to omit one of my favorites for conceptual reasons. And that is why I have decided to post it here instead. I love this picture because this girl looks so completely not dead. She is way too happy to be remotely believable as a zombie. It makes me laugh, but is still kind of disturbing. Maybe even more disturbing than the other ones. The look of child-like wonder in her eyes is priceless. It's like someone is about to hand her a new baby kitten, right after she finished eating the last one.



I apologize. That last sentence was a horrible thing to say, and not quite accurate to the real scene. In fact, she was in reality looking at a human baby when I took this picture. That's the truth. No animals were harmed.